You know what goes great with Thanksgiving? AC/DC. They’re back with Rock Or Bust, the best stocking stuffer you could give and/or receive this holiday season. [Read more…]
A year already? Almost 6,000 page views (Where you at Facebook and Twitter?!?!?) and 150 posts mostly done by my lonesome from a site born out of creative frustration based off the opening line from Streets Of Fire. I’d say that’s an accomplishment, wouldn’t you? In that time we’ve started some semi-regular columns (“Jokes!”, “Untitled Metal Column”, “What’s In A Name?”), reviewed quite a bunch of records and talked to some fantastic artists. [Read more…]
Surprise albums make for the best albums. You know which ones I’m talking about: Those ones that seemingly come out of nowhere from a band you really love who maybe hasn’t produced an album in, say, eight years or so?
Which brings me to I Love You But I’ve Chosen Darkness. [Read more…]
What do you get when you put the singer/guitarist from The Trophy Fire, the drummer from Far, and the bassist for dredg in a room to create some new music? Definitely not what you’d expect. On the debut album from Black Map, this trio blows away all expectations and takes listeners on a sonic journey that’s a little bit prog, a little bit hard rock, and a whole lotta heavy with a healthy dose of space rawk thrown in for good measure. [Read more…]
Make no mistake, I love Bloc Party. I do. But there was always something about that band and certain aspects that didn’t gel. Especially in the latter days and the more electronic aspects when vocalist Kele Okereke seemed to push in a different direction. Then came his solo outings and songs like “Tenderoni” and “What Did I Do” and you could just tell: this is what he’s supposed to do. [Read more…]
At some point there must’ve been a timewarp that brought back early Skinny Puppy into the present day or at the very least, Youth Code is some alternate universe version of SP. Regardless of what higher power brought this Los Angeles duo to industrial’s doorstep just be thankful that they’re here. They’re vicious, they’re danceable, and they have a message. The lead single off their latest EP, A Place To Stand, “Consuming Guilt” has all of those parts and more. [Read more…]
Things are starting to heat up in Hank & Cupcakes land! Their latest album, CA$H 4 GOLD, has just been released and they’re about to embark upon a massive North American tour. As a proper send off (And to remind you why you need to check them out on tour), Hank & Cupcakes have released their self-made video for C4G opener “Bat Your Eyelids” and like most everything the duo do, it rocks. Propelled by Cupcakes raw charisma and the seemingly simple yet fascinating imagery, “Bat Your Eyelids” captures the eye-catching synth-fueled world of H&C in a glorious three minutes.
But enough talking from me. I’ll let the music (and video) speak for itself.
Trust me when I say that if you thought you knew what was coming after Hank & Cupcakes fabulous debut, NAKED!, then you have absolutely no idea what’s actually in store for you. On their sophomore release, CA$H 4 GOLD, the duo you love to love have not necessarily reinvented themselves insomuch as they’ve completely expanded their sound.
“Bat Your Eyelids” is a futuristic funk-filled phenomenon fused with enough fuzzy bass lines and warm feelings to instantly put a smile on your face. It’s the perfect opener for this opus and instantly indicative of what’s to come. Previous tease “Relax” follows up and enhances the vibe with a powerful electro stomp that really shows off Cupcakes massive vocal range which goes from a spoken word sing-song to a screech in a second. It’s also sure to be a huge crowd pleaser when presented in a live setting. And while we’re on the topic, you can head here for the latest tour dates for Hank & Cupcakes upcoming fall tour!
“Romeo” lets Hank’s grooves shine with Cupcakes’ sonic percussion adding more depth while “Cocaina” is a gospel-fueled Southern blues romp that’s probably about the most unpredictable and fierce song H&C have ever laid down. If NAKED! gave you impressions of Duran Duran mixed with Yeah Yeah Yeah’s (Like it did for me) then CA$H 4 GOLD is Berlin, The Vapors, and Wang Chung in a modern setting.
Hank & Cupcakes is truly one of those groups that I can’t praise enough. They do their own thing and they do it really well defying modern Pop expectations with each and every release. Whether it’s the swirling synth bounce on “I Don’t Want To See”, Cupcakes soulful croon on “Spin”, Hank’s bass bravado on the epic “Go Slow” or the lush strings on “Money Is King”, CA$H 4 GOLD has something for every music fan. And if you were already a fan of H&C prior to this release, prepare to be pleasantly blown away.
CA$H 4 GOLD will be available for mass consumption on September 5th. For the latest on Hank & Cupcakes you can head on over here or here. But more importantly, head on over to Itunes or Amazon to get your copy of CA$H 4 GOLD!
“Sex Hands are not a garage pop band, they have never practiced in a garage. They never practice.”
And that statement from the press release of Pleh, the masterful debut from Sex Hands, about sums up the ride you’re about to embark on. From the onset, it’s loose and fun but expertly administered to your ears. But don’t try to pigeonhole their sound, though, because after just one listen it’s pretty obvious what Sex Hands is all about: Rockin’ and a rollin’!
“Space Song” is an instrumental jam fest that opens Pleh and could substitute as an updated theme for The Young Ones (RIP Rik Mayall) but it’s “Flat Mate” up next that ultimately sets the tone for the rest of the album piling on jangly guitars in the vein of Caesars with airy vox like The Raveonettes and nods to The Animals.
First single “Pivot” rocks even more in context with the rest of Pleh while “Gay Marriage” is a nostalgia-fest soaked in ’50’s dream Pop. Elsewhere on their debut Sex Hands delve into more quirky territory on “Hairdo”, straight up Pop on “Hot Cheddar” or full on rockers with “On A Break”.
Pleh is out now through Faux Discx/Negative Space. Buy/stream yours here.
I don’t care how many Entombed’s are out there now. If LG Petrov isn’t fronting your outfit then you ain’t Entombed. Simple as that. I’m not going to get into all the politics about the different sides, I just know that what I’m listening to as I type this sounds like the Entombed I know and that’s all that’s going to matter to fans, too.
Like a mix of Clandestine and Wolverine Blues, Back To The Front (Their first in 7 years!) is a welcome reminder of why Entombed is still such a relevant and visceral unit. Once “Kill To Live” really kicks into full throttle at the beginning, fans will know that long wait was all worth it. Teasers “Bedlam Attack” and “Vulture And The Traitor” don’t do the album justice as they’re just a taste of how great this album really is. Petrov sounds like a beast once again and hearing him roar on some fresh Entombed material is like a breath of fresh air.
“Waiting For Death” is the latest “death ‘n’ roll” rocker with some nice chants inside. “Eternal Woe” sounds as if it could play nicely on Serpent Saints with a low, heavy crunch accenting Petrov’s unmistakable growl. Other highlights include “Pandemic Rage” which opens with a string section straight out of a Hitchock-ian thriller and “Bait And Bleed” featuring some nice thrashin’ making for some superb headbangin’ and mosh pittin’ action.
Just as powerful as anything the band have put out thus far but more urgent, Entombed A.D.’s Back To The Front is out on August 5th through Century Media. Pre-order packages, as always, are a avilable through the always reliable and lovely CMdistro.com.