In the age of short attention spans, an album that runs nineteen tracks is long to say the least. But fear not, faithful reader! Would we mention a nineteen track album and short attention span in the same sentence if there wasn’t a catch? [Read more…]
Beginning with a hearty jam that Clutch would thoroughly approve of, Brooklyn’s River Cult kick off their debut album with the walloping “Likelihood of Confusion” which in all likelihood will not leave listeners confused as to the rawkin’ intent of this trio. Concluding with a spacious excursion of sound that’s like a mix of “Spacegrass” and Sky Valley-era Kyuss, the lengthy opener still barely scratches the sonic surface of what’s to come. [Read more…]
Imagine a world where Baroness never matured, Torche never slowed down, and Mastodon never stopped making Leviathan. Brooklyn’s Somnuri often find themselves in that righteous world and the proof is in the pudding with an eight-track beast of a self-titled debut. [Read more…]
Magnetic Eye Records is to sludge metal and desert rawk what Metropolis Records is to Industrial and Roadrunner Records was to groundbreaking metal back in the day meaning when you pick up something with the MER seal of approval you know you’re gettin’ sumthin’ special. [Read more…]
Olde is a band that personifies everything that is right in the world of doom metal: solid grooves, heavy riffs, and brutal vocals. [Read more…]
Brimming with sludge and excitement, Miami’s Shroud Eater exudes excellence on Strike the Sun. [Read more…]
Like a mix of Torche and Kylesa’s brand of sludge rawk fronted by someone who can bring a Dickinsonian monster croon one minute and a brash growl the next, Ghastly Sound just might be the band to give current rawk and/or roll the swift kick in the ass it so desperately needs. [Read more…]
Getting out of the desert and into the swamp, Summoner’s latest album Atlantian probably has more in common with Black Sabbath or Deliverance-era Corrosion Of Conformity than Kyuss. The opening wall of riffs on “The Gatekeeper” is a good indicator of what the rest of this eight track masterpiece holds as it builds and builds upon a slow monolithic groove. It’s almost as if Summoner took “Dead Moon” from Phoenix as a template for Atlantian and went nuts.
Atlantian is a different beast altogether though. The closest this one comes to the raw fury that Phoenix brought is the spiritual cousin to “Winged Hessians”, “Horns Of War”. That’s not to say that Atlantian is a slouch by any means. Far from it! While Phoenix’s spacier moments went into the ether, the grooves here go straight for the jugular by incorporating some extra crunchy riffage throughout.
The main thing that Atlantian proves is that Summoner is constantly expanding their sound. Whether it’s the Geezer Butler-like bass line that opens “The Prophecy” or the sonic maelstrom which sounds an awful lot like some old school Metallica riffing that’s a precursor to the title track’s eventual slow burn, Atlantian continually astounds, surprises, and adds to Summoner’s musical repertoire.
Atlantian is available on November 19th through Magnetic Eye Records. Pre-order yours here. If you’re in the Boston/Cambridge area, be sure to check out the record release at the Middle East upstairs featuring some other local favorites like Jack Burton Vs. David Lo Pan, Second Grave, and Rozamov on November 30th. Event and ticket info can be found here.