The Lord of Lard is an unstoppable machine lately. Whether it’s new <PIG> classics, remixes or covers, Raymond Watts is beyond reinvigorated during this second coming of the swine. Which brings us to the latest helping of pork in the form of Candy, an epic new album filled with covers done in a way that only <PIG> can.[Read more…]
“Previously in the world of Raymond Watts…”
Seriously, though, with each release that <PIG> has put out this year I feel the need to have a title card akin to Star Wars explaining what has happened up until now. But at the end of the day, we can all agree on one thing: There is no such thing as too much <PIG>!
But I digress. [Read more…]
One day soon I hope to run across some newer <PIG> fans and, like a crotchety old man of 40, spew off lines like: “You kids have it so easy! Back in my day, Raymond Watts waited a decade between albums! And when he did release records it was only in Japan! Before Amazon! And the internets!” Seriously though, and unlike a crotchety old man of my age, I feel blessed to live in this wondrous time where Watts has rediscovered the fire and has re-emerged with a (seemingly) untapped well of new material. [Read more…]
If you’ve been with <PIG> since the beginning then the natural progression of this awesome Electro/Industrial/Glam project has been the absolute best rollercoaster to ride on, especially with the recent second coming phase. However, if The Gospel and subsequent current outings haven’t been your cuppa then my best advice is that you’d best scurry back to the fold and beg for forgiveness because all you non-believers are about ready to bear witness to a more even keeled, well-rounded, and fine tuned incarnation of <PIG>. [Read more…]
Raymond Watts is a living legend. He is. Whether he’s taking it all on with <PIG> or collaborating with KMFDM or Alexander McQueen, Watts is genuinely a prolific creator. Like fellow Industrial Metal luminaries Paul Barker and Chris Connelly, he is also a man not bound by the rules of the genre. Quite frankly, the man likes to branch out! The proof is in the pudding and, in this case, flows across a plethora of sonic excursions released within a year of the first <PIG> full-length in over a decade.
And the Lord of Lard himself explained how exactly that comeback happened recently via phone: [Read more…]
Oh my! If you were underwhelmed by last year’s comeback and the accompanying Remix album (Released earlier this year) then the Lord of Lard has something that will guarantee your return to the flock. But let’s be honest, if you weren’t impressed with those two slabs of finely constructed (and deconstructed) Industrial malevolence then were you ever really in the flock??? [Read more…]
Take a dab of Depeche Mode’s Violator, a smidge of Marilyn Manson’s The Pale Emperor, a little of Nick Cave’s “Red Right Hand” and….you know what? Forget that! <PIG> is only comparable to <PIG> and the latest from the Lord of the Lard is no exception and certainly an album that stands on its own within the upper echelon of rawk. [Read more…]
If you’re like me, you’ve waited for this for a long time. You followed the teases, the slow reveals, heard the snippets, ordered the shirts…everything! Well now my friends, the wait is finally over. But after all the hype, all the teases, all the build up…is Primitive Race, the album, ultimately worth the wait? If you’re into fan-fucking-tatsic electronic/industrial music then the answer is a definitive and resounding “Yes!!!!” [Read more…]
PRAISE THE LARD, Pig has risen again and blessed his herd with not one, but two releases this year with hopefully more to follow (New full-length please?). If you’re impatient (Like me!) and can’t hold out until the EP with Primitive Race is released in June (Our review is here) then how about some instant gratification in the form of the Compound Eye Sessions? [Read more…]
After all the hype and all the build up, being able to FINALLY talk about a “proper” release from Primitive Race is an amazing thing. Mastermind Chris Kniker has concocted this masterpiece of an EP that’s old school industrial yet firmly planted in today. Long In The Tooth is the name of the EP and the title track and it is ten tracks of perfectly executed electronic madness serenely sung by the one and only Raymond Watts. [Read more…]