I don’t think I’m in the minority when I say that Old Man Gloom albums are somewhat of a cathartic, almost religious, experience. Despite the exercises in sonic extremes, OMG always litter their albums with a certain ambiance that tempers the brutality making the music they create collectively not only unlike anything heard in their respective “day jobs” (Isis, Cave In, Doomriders, Zozobra, Converge, etc.) but also unlike anything out in current heavy music today. Is it magic when these four gentlemen convene in a room together? If The Ape Of God is the sole evidence then the answer is decidedly “yes!” [Read more…]
A year already? Almost 6,000 page views (Where you at Facebook and Twitter?!?!?) and 150 posts mostly done by my lonesome from a site born out of creative frustration based off the opening line from Streets Of Fire. I’d say that’s an accomplishment, wouldn’t you? In that time we’ve started some semi-regular columns (“Jokes!”, “Untitled Metal Column”, “What’s In A Name?”), reviewed quite a bunch of records and talked to some fantastic artists. [Read more…]
Surprise albums make for the best albums. You know which ones I’m talking about: Those ones that seemingly come out of nowhere from a band you really love who maybe hasn’t produced an album in, say, eight years or so?
Which brings me to I Love You But I’ve Chosen Darkness. [Read more…]
What do you get when you put the singer/guitarist from The Trophy Fire, the drummer from Far, and the bassist for dredg in a room to create some new music? Definitely not what you’d expect. On the debut album from Black Map, this trio blows away all expectations and takes listeners on a sonic journey that’s a little bit prog, a little bit hard rock, and a whole lotta heavy with a healthy dose of space rawk thrown in for good measure. [Read more…]
Make no mistake, I love Bloc Party. I do. But there was always something about that band and certain aspects that didn’t gel. Especially in the latter days and the more electronic aspects when vocalist Kele Okereke seemed to push in a different direction. Then came his solo outings and songs like “Tenderoni” and “What Did I Do” and you could just tell: this is what he’s supposed to do. [Read more…]
At some point there must’ve been a timewarp that brought back early Skinny Puppy into the present day or at the very least, Youth Code is some alternate universe version of SP. Regardless of what higher power brought this Los Angeles duo to industrial’s doorstep just be thankful that they’re here. They’re vicious, they’re danceable, and they have a message. The lead single off their latest EP, A Place To Stand, “Consuming Guilt” has all of those parts and more. [Read more…]
Thirty freaking years of the Ultra Heavy Beat. Think about this people. Thirty. Freaking. Years. Through numerous line up changes, band dissolutions, reformations, and finally coming up with a proper “band”, KMFDM have endured and celebrate such a momentous occasion the only way they can by not dwelling on the past but by instead looking to the future with a brand spankin’ new collection of Ultra Heavy Beats. [Read more…]
Cool name with an even cooler sound, France’s Lizzard deliver tenfold on “The Roots Within” off their upcoming full-length entitled Majestic. With a super dense sound that begins like Opiate/Undertow-era Tool but soon transforms into an epic Alice In Chains-style croon fest thanks to vocalist Mathieu Ricou, Lizzard is a band that’s destined to rise above the dregs. [Read more…]
Things are starting to heat up in Hank & Cupcakes land! Their latest album, CA$H 4 GOLD, has just been released and they’re about to embark upon a massive North American tour. As a proper send off (And to remind you why you need to check them out on tour), Hank & Cupcakes have released their self-made video for C4G opener “Bat Your Eyelids” and like most everything the duo do, it rocks. Propelled by Cupcakes raw charisma and the seemingly simple yet fascinating imagery, “Bat Your Eyelids” captures the eye-catching synth-fueled world of H&C in a glorious three minutes.
But enough talking from me. I’ll let the music (and video) speak for itself.
The return of grimy, sleazy, good old fashioned industrial electronic noise rawk is upon us, my friends. Cocksure started it with their debut in August (You can read all about TVMALSV here) and now Prude is here to continue to give it to ya good. Featuring members of Chemlab, Caustic, and Plastic Heroes, Prude’s unique brand of noise is anything but what their name implies. On the dark age of consent these industrial electronics pros delve deep to create some tunes destined to penetrate your psyche and unleash your id.
“PLUSism” is not so much an opener as it is a statement of intent curated by Prude ringmaster Jason Louche who delivers a downright sinister spoken word welcome to the dark age of consent. But don’t expect this trend to continue throughout because “great eraser (in the sky)” which follows is almost a Pop song. Think T-Rex meets The Stooges with these huge guitar riffs made for a stadium and propulsive drum beats. “darkroom.”, however, gets back to the nitty gritty of industrial noise with synths flowing but still featuring those epic guitar lines adding a little Andy Taylor Duran Duran flair to the mix.
Meanwhile, “airlock.” turns the album in a completely different direction with a slow, dark, ominous drone and Louche’s sneer propelling the album to Portrait of an American Family/Nothing Records territory. “brief history of fire.” injects a little PWEI dance flavor into the mix while “scatterbrain.” ramps up the big riffs.
In a nutshell, Prude’s stunning debut might best be summed up by the timeless words of Metropolis Records label mate Kap’n K: “In the age of super-boredom, hype and mediocrity. Celebrate relentlessness, menace to society.” Menace away, Prude. We’re ready for it.
the dark age of consent is out on September 23rd. Get yours from the indomitable Metropolis Records here.