DOMKRAFT’s follow-up to 2021’s Seeds, Sonic Moons, is meteoric, majestic, and mesmerizing and marks another seismic shift in the gargantuan aural landscape the Nordic trio constantly work to refine.
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Domkraft’s third full-length is filled with colossal sounds made up some of the gnarliest, most nasty sounding riffs that Tony Iommi and Geezer Butler wished they’d discovered first. Cap off all that inherent Heavy with an exquisite musicianship throughout and Seeds is easily a contender for many a year-end best list. Including ours.
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I could either completely exhaust myself and do four separate reviews of the albums that represent 2019’s Day Of Doom live showcase at Brooklyn’s Saint Vitus Bar heading towards the end of releases in 2020 when most are shifting their focus to year end lists and preview pieces…or just do one MASSIVE review of all the releases. Take a guess where we’re going with this one, won’t you?
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I’ve gotta be honest, okay? I’m not a big Pink Floyd fan. Like, at all. I remember having a few of their albums and seeking out the live Is There Anybody Out There? record back in 2000 because I had a gift certificate to some music store that was burning a hole in my pocket but beyond that? They do nothing for me. Sorry? [Read more…]
Domkraft is the best Doom/Sludge out there today. Yep. It was said. By me. Just now. On Flood, they take all that kind of good stuff you get when you combine equal parts mysticism with good ole psychedelia and fuzz and wrap it in a desert rawk package to get the album you’ll eventually hear on October 19th. [Read more…]