Not even parts of a whole anymore but fans of KMFDM’s beginnings have surely been getting a treat these last few years with that Industrial juggernaut still rolling along after 30+ years and Raymond Watts’ PIG back in full swing since 2016 and, more often than not, utilizing the talents of fellow former KMFDMer’s like En Esch and Steve White (As well as axe-master Gunter Schulz who does not feature on this particular record) as is the case with PIG’s latest outing The Merciless Light.[Read more…]
With an association as prolific as the one that Raymond Watts had with KMFDM, it’s inevitable that there will be comparisons from time to time. While Watts’ work as <PIG> is definitely its’ own monster, the latest offering in this current second coming of the Industrial giant is easily Watts’ Nihil. Filled with all the substance to back up that larger-than-life swagger, Pain Is God is a hefty record encapsulating all that’s made <PIG> great yet soaked in this mid-90’s synthetic haze.[Read more…]
Raymond Watts is a living legend. He is. Whether he’s taking it all on with <PIG> or collaborating with KMFDM or Alexander McQueen, Watts is genuinely a prolific creator. Like fellow Industrial Metal luminaries Paul Barker and Chris Connelly, he is also a man not bound by the rules of the genre. Quite frankly, the man likes to branch out! The proof is in the pudding and, in this case, flows across a plethora of sonic excursions released within a year of the first <PIG> full-length in over a decade.
And the Lord of Lard himself explained how exactly that comeback happened recently via phone: [Read more…]
Oh my! If you were underwhelmed by last year’s comeback and the accompanying Remix album (Released earlier this year) then the Lord of Lard has something that will guarantee your return to the flock. But let’s be honest, if you weren’t impressed with those two slabs of finely constructed (and deconstructed) Industrial malevolence then were you ever really in the flock??? [Read more…]
Take a dab of Depeche Mode’s Violator, a smidge of Marilyn Manson’s The Pale Emperor, a little of Nick Cave’s “Red Right Hand” and….you know what? Forget that! <PIG> is only comparable to <PIG> and the latest from the Lord of the Lard is no exception and certainly an album that stands on its own within the upper echelon of rawk. [Read more…]