It’s never a good thing when looking over a draft for an upcoming review and see that there are no less than four different kinds of intros in various stages of done-ness. Meaning that an album is SO GOOD that we can’t decide how to approach it. Do we wanna be supah serious? Do we want to be all witty and insightful? Do we want to suck up because what’s within is just THAT GOOD? Or do we want to do what we did here and do some sort of combination of it all to stress the fact that what you’re about to read about (And hopefully listen to) is fucking important while still keepin’ it loose.

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