It’s mind boggling to me to hear a record like White Noise Owl’s debut full-length, Condition Critical, think of how much work was put into it and then have it more or less dumped on the unsuspecting masses with barely a peep of promotion. But these are strange times we live in, kiddies, where crap is rewarded and creativity is smothered.[Read more…]
I’m not going to sit here and pretend to know what the original vision of Life On Planet 9 was but after three albums, I’m hoping that I’m correct in saying that whatever that original vision was it’s been fully realized on their third full-length, Higher. [Read more…]
I randomly discovered Ultraspank when they were featured on Ozzfest back in 1998 and instantly fell in love with Pete Murray’s voice. The range, the emotion, the intensity….just everything about it was such a step above what the other bands on the bill offered. This was a bill that gave some great exposure to the Serj Tankian’s and Brandon Boyd’s mind you! But Pete Murray stood out. Yeah, he had that snarl but there was something else. One listen to “Wrapped” off their self-titled debut and it was obvious that this guy had “the voice”. Those sweeping choruses that echoed Maynard James Keenan that went to vicious Phil Anselmo-style attacks in no time were incomparable.
Over time, that voice has only grown as has the musicianship with the riff-machine Neil Godfrey who accompanied Murray from Ultraspank into Lo-Pro and the band of the hour, Life On Planet 9.
Bittersweet, the 2011 debut from Life On Planet 9, may have spawned from a desire to create a studio version of “Lo-Pro unplugged” but on The Theory Of Everything the band go for new extremes and finally find themselves. The minute the programmed beats of “Carry On” hit along with Godfrey’s gorgeous riffs and Murray’s uncanny voice it’s as if “Line Stepper” off Bittersweet never ended. “So we’re picking up where we left off” adds Murray around the 3-minute mark but it’s so much more than that.
The Theory Of Everything as a whole is bigger, better, and badder. “Everything” is just massive as is “Here We Are” which follows next, abruptly stopping for Godfrey’s lush acoustics and Murray’s echoed cries until opening up again into a gargantuan chorus. And that’s just the first three songs, people! “Home” is even greater than that and more epic, “Now” follows and ups the tempo slightly with Murray hitting those soprano notes just right while “Ordinary” picks up the pace with Godfrey’s guitars screaming along with Murray’s voice. And I haven’t even gotten to single “Rainy Days” or the the game-changing seven minute monstrosity “Stay” that hits in the middle!
Jeebus, I don’t want to say that this is the best album of the Murray/Godfrey collaboration era but hot damn if it isn’t close. “The Sky” adds to that argument along with the piano-driven “What Would You Say” and its’ record scratch beats. As an outsider, I don’t pretend to know what Murray and Godfrey’s musical vision might be but I imagine that this record is the closest accomplishment towards that.
If you love that voice and that guitar and have followed these gentlemen from Ultraspank to Lo-Pro to this then this is an essential part of your collection. If you’re a fan of music in general then it’d be highly illogical if you don’t pick this up.
The Theory Of Everything is out on August 26th. We really think you should buy it here.
And for our 101st post, we go to a singer that inspired the next half of our musical journey. I’m talking about that other legend, Pete Murray, of course! Haunting, yet exhilarating, the first track off the upcoming sophomore release from Life On Planet 9 is everything fans have come to expect from Murray and more.
While Murray exercises his soprano vocal muscles, guitarist Neil Godfrey goes for the subtle approach which makes for a rousing arrangement and a welcome return from one of the most underrated duos in modern rock.
As for the video: Do you really need anything more than the two fine gentlemen of Life On Planet 9 rocking out while looking dapper? No, I suspect you do not.
It’s true what they say: Good things come in small packages. In White Noise Owl’s case the “small package” is in the form of a debut EP instead of a full-length and the tracks included within are definitely some of the best hard rock anthems you’ll hear in all of 2014.
Until We Meet Again is a mature helping of hard, heavy rock from a bunch of guys who you probably saw in one form or another on Ozzfest ’98. Make no mistake, though, this is not another version of Snot or Ultraspank or even Evanescence or Staind. WNO is something different altogether. This is a group of guys who have been around the industry and are banding together to forge a new destiny and judging by the results of Until We Meet Again, it’s definitely a promising one.
Vocalist Pete Murray croons on opener “Feed” with the line “I don’t care for what you’re feeding me/And I won’t stand for negativity, no!” and that is exactly the case with White Noise Owl. There’s no bullshit and a focus on the heart of the matter: The music!
“Bomber” is a sonic masterpiece and has some of those grandiose Filter-like radio rock choruses that the band have become known for (Title Of Record producer Ben Grosse coincidentally is the producer and mixer here) while guitarist Chris Shy diversifies the proceedings during the opening of “End Over End” with some down home strumming. The EP culminates with “Are You Breathing” which is probably the best example of the “White Noise Owl sound” as it were featuring stellar drumming from Will Hunt and some fantastic bass work from John Fahnestock along with the aforementioned Shy and Murray.
Look, I’m a fan of most of these guys already. I’ve been Team Murray since I first heard of Ultraspank and their ridiculously underrated vocalist in the late ’90’s, I bought the Snot debut after seeing Lynn Strait leap on stage during a Manhole opening slot in Boston (Fahnestock actually sold me the long sleeve I still own after a Snot show opening for Sevendust in Worcester), and I loved both Skrape records that Hunt bashed away on.
These guys know the biz and they definitely deserve your attention. Hopefully White Noise Owl is the spark that lights a fire under the ass of the hard rock music world.
For more on White Noise Owl including pre-order options for Until We Meet Again (Due on March 11th), head on over to their official Facebook and Twitter pages and please don’t forget to “like” us over on ours.
Amidst the nu-metal craze of the mid-’90’s, some actual great musicians and some actual great bands got lumped in and swallowed up. Luckily for music fans, some of those musicians have persevered over the years and a group of said talented individuals have formed White Noise Owl whose debut EP should be available in the spring of 2014.
You’ve got former Ultraspank vocalist Pete Murray bringing the emotion, Snot’s John Fahnestock with the low end, and Skrape’s Will Hunt behind the kit. A veritable smorgasbord of nu-metal’s unappreciated elite!
Fahnestock, of course, is also a former member of Amen and Murray’s post ‘spank out fit Lo Pro (Who just released their epic third album earlier this year) while Hunt has since played with everyone from Evanescence and Staind to Black Label Society and David Draiman’s Device.
The below teaser is barely a minute long and only gives a hint of what’s to come but there are some subtle electronic flourishes in there with some massive guitar sounds from Chris Shy which is all produced exquisitely by Ben Grosse (He, who produced some equally massive Filter, Marilyn Manson, and Thirty Seconds To Mars albums).