So yeah, we may have already declared Cattle Decapitation’s latest to be our most favorite Metal record of the year but when it comes to sheer heaviness, Gozu might take the crown after the nine punishing (And creatively named) tracks they’re about to lay down for y’all throughout latest album Remedy.
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Absence makes the heart grow fonder and all that jazz, right? Well, that especially rings true when it comes to the music that Gozu has been spewing out ramping up to the release of Remedy on May 19th. “Tom Cruise Control”, released last month and reviewed by us here, was a great reintroduction to the Boston quartet after a 5-year gap between full-lengths but “CLDZ” is just presenting fans with some next level Gozu material that, dare we say, kinda blows away an already impressive body of work.
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2023 is not letting up in terms of big returns and for Boston heavy music fans, it doesn’t get much bigger than Gozu who return with “Tom Cruise Control”, the quartet’s first new piece of music in over 5 years ahead of a new record due in May.
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Gozu albums have always been these epic events of expertly executed exercises in the worship of the almighty riff but on Equilibrium, these Boston rawkers set the bar pretty GD high for any hard/heavy band out there who dare to try and match this in 2018. If this one doesn’t propel them to the rawk stratosphere then humanity might truly be lost. [Read more…]
When you think “Boston bands”, outfits like Aerosmith, Godsmack (Sorry!), The Cars, and The Mighty Mighty Bosstones usually come to mind. Stellar bands in their own right and should make any Masshole proud of the tunes coming out of the state. Me? I’m proudest when I think of bands like Cave In, Converge, and Isis. And even prouder over the past few years with bands like Motherboar, Summoner, Doomriders, and the focus of this column: Gozu. [Read more…]