“I wanted to do something big. When I saw how tall Dan (Milligan) is, I knew it was the right project for me. Also I hate Joy.” – Marcus Eliopulos[Read more…]
It’s here! The moment you’ve all be waiting for! And instead of splitting it in half this year I decided to bombard you with one huge pile of word vomit featuring everything that got our goat in 2018. Enjoy! Because we definitely did (Links to reviews highlighted where applicable):
But first! [Read more…]
This is one of those after the fact records that stuck with me enough to have thoughts. Especially because I feel the need to defend it against haters. [Read more…]
Whew! Glad the 2016 retrospective is finally over. Now we can get to some reviewin’ and interviewin’ and stuff….wait, we’re doing a 2017 preview, too? UGH! WHY????? Then I guess without further adieu, the top 17 albums that may or may not surface in ’17: [Read more…]
Ministry’s not quite over, RevCo has new material in the works, Lard will be back, and most importantly: Surgical Meth Machine has been unveiled to the masses. [Read more…]
Stay with me for a moment as I attempt to describe Al Jourgensen’s latest project, Surgical Meth Machine, to you: If “Warp City” had sex with the entire “TV” series and their bastard offspring had sex with Revco and THEY had a baby, Surgical Meth Machine would be the result. Make sense? No? Well, if you’re ready for it to get a lot more weird then stick around. [Read more…]
“I think everyone will be delighted. It’s like me going to all my fans and, individually, giving each of them a bottle of assorted pills and a sack full of porn and hotel bar booze. I do it for the kidz!”
And honestly, who doesn’t want that? In case you missed the headline, we’re talking to Chris Connelly: musician extraordinaire, author (Please check out the sublime Concrete, Bulletproof, Invisible and Fried: My Life As a Revolting Cock if you’re a fan of the industrial scene), and record store guru (On his gig at Chicago based Reckless Records :”It is my day job, not my company. I would rather stay at home and sip single malt“). He’s a man of many hats and in his current project, Cocksure, Connelly will once again be be sporting that familiar cowboy hat which is sure to excite fans of his work with Al Jourgensen in the ’90’s.
“I wanted to do something that picked up where the Cocks left off…unfinished business from two decades ago. But I dislike nostalgia… and the old songs are the old songs, so I approached my friend Jason Novak, a very talented individual and asked if he could accommodate my idea” says Connelly about Cocksure, whose full-length debut TVMALSV is a rip roaring torrent of Revolting Cocks inspired industrial noise.
That’s where the comparisons should end, though, as Connelly is quick to point out: “We definitely wanted to reflect the good bits of the Cocks, but the sound needed updating. The aesthetic needed a bit of a kick in the nuts, to be honest. It needed hardening and we needed to embrace the times we live in and not the dreadful 90’s”
To coincide with the album’s release on August 12th, Cocksure will be hitting the road for a slew of performances with Front 242 (Richard 23 actually guests on TVMALSV track “TKO Mindfuck”) like only they can: “Cocksure live? We are going to look like a very cute and sexy Sleigh Bells. We are two desperately handsome young men who know all about showbiz, baby! We will be doing select dates, not a full tour. I still got an ankle bracelet and a bitch of a parole officer.”
Beyond that, Connelly mentions that the work of his that he’s most proud of “is always the latest one” making Cocksure required listening for fans of his and industrial music fans. However, if you’re looking for recommendations about bands in the current industrial “scene”, Connelly proves that he can still shock and surprise audiences: “I think modern hip hop has more in common. I love things like M.I.A. and Die Antwoord.”
And if that wasn’t enough Connelly for you this year, there’s also Bells Into Machines with Paul Barker in the pipeline (“We will talk about that when we’ve got a full length to show off”).