With an association as prolific as the one that Raymond Watts had with KMFDM, it’s inevitable that there will be comparisons from time to time. While Watts’ work as <PIG> is definitely its’ own monster, the latest offering in this current second coming of the Industrial giant is easily Watts’ Nihil. Filled with all the substance to back up that larger-than-life swagger, Pain Is God is a hefty record encapsulating all that’s made <PIG> great yet soaked in this mid-90’s synthetic haze.[Read more…]
If you’ve been with <PIG> since the beginning then the natural progression of this awesome Electro/Industrial/Glam project has been the absolute best rollercoaster to ride on, especially with the recent second coming phase. However, if The Gospel and subsequent current outings haven’t been your cuppa then my best advice is that you’d best scurry back to the fold and beg for forgiveness because all you non-believers are about ready to bear witness to a more even keeled, well-rounded, and fine tuned incarnation of <PIG>. [Read more…]
Raymond Watts is a living legend. He is. Whether he’s taking it all on with <PIG> or collaborating with KMFDM or Alexander McQueen, Watts is genuinely a prolific creator. Like fellow Industrial Metal luminaries Paul Barker and Chris Connelly, he is also a man not bound by the rules of the genre. Quite frankly, the man likes to branch out! The proof is in the pudding and, in this case, flows across a plethora of sonic excursions released within a year of the first <PIG> full-length in over a decade.
And the Lord of Lard himself explained how exactly that comeback happened recently via phone: [Read more…]
Oh my! If you were underwhelmed by last year’s comeback and the accompanying Remix album (Released earlier this year) then the Lord of Lard has something that will guarantee your return to the flock. But let’s be honest, if you weren’t impressed with those two slabs of finely constructed (and deconstructed) Industrial malevolence then were you ever really in the flock??? [Read more…]
Take a dab of Depeche Mode’s Violator, a smidge of Marilyn Manson’s The Pale Emperor, a little of Nick Cave’s “Red Right Hand” and….you know what? Forget that! <PIG> is only comparable to <PIG> and the latest from the Lord of the Lard is no exception and certainly an album that stands on its own within the upper echelon of rawk. [Read more…]