Paper Tigers make a timeless kind of music that is, at times, deeply embedded in the ’90’s Boston scene mixed with a new school Punk aesthetic akin to CKY’s earlier recordings. On their latest EP, A Schism Cataclysm, the quartet hone their burgeoning sound and pack quite the sonic wallop over five tracks of infectious and undeniable Rawk.
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Going through my original notes for the Gypsum debut and I likened listening through the record to recent experiences with the Lauren Lakis album as well as a feel of early dredg. Which is true to an extent but the record is also an all around head trip, filled with a wondrously whimsical tone and a kind of wizardry in regards to the songwriting strength and sonic world building.
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Over the years, We Are Scientists has gradually morphed from these interesting Indie darlings to a bombastic sonic tour-de-force. On their latest, Huffy, We Are Scientists harness the burgeoning energy that started during 2016’s Helter Seltzer to conjure up one of their most massive sounding records to date with powerful performance prowess shining as much as the sanguine sonic storytelling.
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We don’t mean to let things fall by the wayside but that’s precisely what happens when one is constantly bombarded with killer music. And we’re not complaining by any means just explaining that, despite our best efforts and constant reminders on our always full ‘to-do’ list, sometimes something we really wanna feature gets put off for far too long. Like the latest from Boston’s Jim Healey. And we’re genuinely sorry for that. Because you should definitely be checking this one out!
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I need a court stenographer-type person to go back through older posts to see if I already declared something else as our favorite Metal record of the year because I don’t wanna stick my foot in my mouth when I declare that HIPPOTRAKTOR is that fresh kind of Metal that we constantly yearn for that’s heady, heavy, underivative, and, yep, kind of our current favorite record in that aforementioned genre starting with a capital “M”.
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Post-Trump and the world is still in chaos, overrun by a virus that’s seemingly never going away due to a continuing campaign of disinformation and morons in general perpetuating lies and ridiculousness. Sounds like the perfect time for Ministry to come out of hibernation, yeah? It may have been Trump who initially lit a brand new fire under Uncle Al’s ass but it seems like the ensuing daily deluge of dumpster fires has been the catalyst to one of the most interesting and innovative Ministry releases of the 21st Century.
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Well, hot dang! The Shirts And Shoes are not effing around on Sinner Swing, their latest offering, which comes out of the gates, ahem, swinging big with eight seemingly unsuspecting songs that, when combined, create a sure contender for “Best Rawk Album of 2021”. A veritable treasure trove of tumultuous tracks, Sinner Swing evokes feelings so intense that they’re practically palpable so strap in and get comfortable because The Shirts And Shoes has returned and it’s sure to be a bumpy ride!
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Combining Space Rawk with elements of Prog as well as Goth and Post-everything tendencies, Lehnen create entire universes within each of the ten tracks presented here on their fourth full-length Negative Space. With their latest opus, words like expansive and epic can barely contain the scope that Lehnen bring to the world of music on an album that’s powerful, poignant, and potentially your next favorite of 2021.
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The Absence Of Light, the latest release from Brazil’s The Troops Of Doom, is a clear-cut and concise collection of cranium splitting Metal that’s not to be missed this year. Born from the creativity and drive of original Sepultura guitarist Jairo “Tormentor” Guedz, The Troops Of Doom takes that Brazilian Thrash that Guedz help engineer and combines it with an aesthetic much like Slayer’s base DNA to make something that’s leaner, meaner, and undeniably heavy.
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Less doubling down on the Sepultura/Gojira aspect of Alien Weaponry’s brand of World Metal, Tangaroa is intent to carve its’ own path by creating a defining moment for the young New Zealand trio and solidify their status as one of the brightest stars in the current heavy music scene.
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