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Singles! blindspot, “Vienna (Billy Joel Cover)”

While our familiarity with Billy Joel music goes far beyond “We Didn’t Start the Fire”, having started with An Innocent Man on vinyl through Columbia House (Anyone remember that???) and also through High School Jazz Band with “New York State Of Mind” as a staple of our set, we wouldn’t call ourselves experts by any […]

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Singles! Answerman, “Black Heart”

Modern Garage Rawk at its’, finest, Boston’s Answerman is delivering the goods with new single “Black Heart”, the latest taste off their upcoming debut full-length Black Light Poster which arrives later in April.

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The Banishment Meld Machine And Bone, Create A Modern Industrial Metal Maelstrom On Debut Full-Length

On paper, The Banishment is one weird ass concept. Take a legendary guitar god like George Lynch (Dokken, Lynch Mob, etc) and transplant his art into a world inhabited by Ministry and Filter on the regular. That’s right, we’re talking Industrial Metal as the main course of what The Banishment’s [...]

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Singles! Holbrook, “Nari Nari”

Welcome to the weird, wonderful world of Holbrook and their utterly enthralling new single “Nari Nari”. If you dig your Queens Of The Stone Age a little batty (Think the more experimental bits of Era Vulgaris and Lullabies To Paralyze), are fond of Blur, and loved the Indie aesthetic of [...]

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Witch Ripper Bring Sludge Rawk To The Stadiums With The Flight After the Fall

Believe it or not, the second record from Witch Ripper is actually the second Sludge Rawk-type artist from Seattle we’re readying a review for. And! This beast also comes out on March 3rd! How do you like them apples?

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Singles! Astral Bitch, “You’ve Got It Wrong/How To Breathe”

Whoa. That’s about all we got when talking about the pair of singles recently debuted by Boston’s Astral Bitch. Now if it only it were that simple, right? Like, we say “YOU SHOULD REALLY LISTEN TO THIS!!!” and then you do and all is right in the world and everyone’s [...]

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Singles! EN ESCH, “Push”

Fans of what many would consider the “classic” lineup of KMFDM in the mid-’90’s (Or maybe “Ultra” version is the more apt descriptor here) and who have been following the resurgence of PIG and Raymond Watts over the last 6 or so years should definitely pay attention to the first [...]

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