Grinding RAWK with an infectious chorus that’s destined to be a crowd sing-a-long favorite, the latest from The Horse Heads is destined to be your next favorite anthem and another in a long line of bangers from Cool Thing Records.
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Like most, we like to think we not only have pretty eclectic taste when it comes to music in general but especially when it comes to our all-time favorite lists of vocalists. One such artist is Karl Middleton who we knew from the mucho-underrated-and-so-ahead-of-their-time earthtone9 (Check out all they have to offer here) and followed along as he ventured into projects like The Blueprint and the focus of today’s word vomit, Blackstorm.
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Modern Garage Rawk at its’, finest, Boston’s Answerman is delivering the goods with new single “Black Heart”, the latest taste off their upcoming debut full-length Black Light Poster which arrives later in April.
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On paper, The Banishment is one weird ass concept. Take a legendary guitar god like George Lynch (Dokken, Lynch Mob, etc) and transplant his art into a world inhabited by Ministry and Filter on the regular. That’s right, we’re talking Industrial Metal as the main course of what The Banishment’s serving up to yer earholes. But y’know what? It works. Extremely well.
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Welcome to the weird, wonderful world of Holbrook and their utterly enthralling new single “Nari Nari”. If you dig your Queens Of The Stone Age a little batty (Think the more experimental bits of Era Vulgaris and Lullabies To Paralyze), are fond of Blur, and loved the Indie aesthetic of The Cast Of Cheers and TV On The Radio then you’re gonna wanna tune in.
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Believe it or not, the second record from Witch Ripper is actually the second Sludge Rawk-type artist from Seattle we’re readying a review for. And! This beast also comes out on March 3rd! How do you like them apples?
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Whoa.
That’s about all we got when talking about the pair of singles recently debuted by Boston’s Astral Bitch. Now if it only it were that simple, right? Like, we say “YOU SHOULD REALLY LISTEN TO THIS!!!” and then you do and all is right in the world and everyone’s happy. But life ain’t simple which works out because we’re ALWAYS up for the challenge of convincing you why you should dig the hell out of this.
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Fans of what many would consider the “classic” lineup of KMFDM in the mid-’90’s (Or maybe “Ultra” version is the more apt descriptor here) and who have been following the resurgence of PIG and Raymond Watts over the last 6 or so years should definitely pay attention to the first single off EN ESCH’s first new LP in over seven years. Because with “Push”, En Esch manages to encapsulate a LOT of what you might love about those two era’s while also striving to make a statement all its’ own.
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There’s so much joy to be had in Enveletration, the fourth full-length from Seattle’s Sandrider. It’s a celebration from start to finish with equal parts old school Baroness, Unsane, early At The Drive-In, and ASG somewhere in the mix as well as a whole lotta heft, heaviness, and heart.
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We’re on the road to the release of the Loud, Bright and Violent EP and Boston’s Sunshine Riot is unveiling yet another slab of Steve Albini-recorded modern Alt for the masses with the release of the slick, suave, and steady sounding “So It Comes”.
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