The next evolution of djent is here. Monuments latest album, The Amanuensis, is a blistering aural assault of machine gun riffs, technical mastery, and vocals that soar above the stratosphere only to strike down with visceral intensity at a moments notice.
From the instant “I, The Creator” fades in fans should already know they’re in for a crispy, metallic treat. Equal parts Meshuggah with hints of Roadrunner Records upstarts Five Pointe O while vocalist Chris Barretto channels Ra’s Sahaj Ticotin during meloidic moments and Threat Signal’s Jon Howard and Phil Anselmo at Monuments most animalistic times.
“Origin of Escape” slaughters senses next with an acoustic opening acting as a facade before the mayhem begins while “Atlas” is a little more straight up and eases on the tempo but not the force with which the message is delivered. “Quasimodo” is just a gorilla of a song that has John Browne and Olly Steele proving their guitar prowess on The Amanuensis once again.
Then there’s songs like the odd “Saga City” which starts, um, well you just have to hear it. From there it progresses into a sweet little Pop jam until the inevitable metal maelstrom with Adam Swan’s divine bass strums peaking in throughout. But if you want even more range, skip directly to Genesis-like closer “Samsara”. Wow. And lest we forget drummer Mike Malyan who slays on the hyper-aggressive “Jinn”, pummels with tribal aplomb on “I, The Destroyer”, and basically kills on every song here.
If you like progressive metal, you like it heavy, and you’re looking for a new sound this summer then be sure to pick up Monuments The Amanuensis today!
The Amanuensis is out through Century Media Records now. Pre-orders are available here.
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