I had this whole spiel planned about my history of discovering Professional Murder Music from reading all about the Electro-Industrial marvels in Rawk rags (Kerrang! especially) back in the days where the interwebs weren’t the be all/end all for information to the first taste when “Slow” dropped on the End Of Days soundtrack to scooping up every little sampler I could find to the holy grail itself: an advance promo of debut record in a used record shop of all places a bit before the self-titled was finally released. But I’m not going to do that today (Or maybe I already did???) because we’re in the here and now and it gives me so much joy to be able to write about NEW (ish) Professional Murder Music over twenty years after first opening my ears to the Los Angeles-based outfit.
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