Welcome to the weird, wonderful world of Holbrook and their utterly enthralling new single “Nari Nari”. If you dig your Queens Of The Stone Age a little batty (Think the more experimental bits of Era Vulgaris and Lullabies To Paralyze), are fond of Blur, and loved the Indie aesthetic of [...]
Believe it or not, the second record from Witch Ripper is actually the second Sludge Rawk-type artist from Seattle we’re readying a review for. And! This beast also comes out on March 3rd! How do you like them apples?
Whoa. That’s about all we got when talking about the pair of singles recently debuted by Boston’s Astral Bitch. Now if it only it were that simple, right? Like, we say “YOU SHOULD REALLY LISTEN TO THIS!!!” and then you do and all is right in the world and everyone’s [...]
Fans of what many would consider the “classic” lineup of KMFDM in the mid-’90’s (Or maybe “Ultra” version is the more apt descriptor here) and who have been following the resurgence of PIG and Raymond Watts over the last 6 or so years should definitely pay attention to the first [...]
There’s so much joy to be had in Enveletration, the fourth full-length from Seattle’s Sandrider. It’s a celebration from start to finish with equal parts old school Baroness, Unsane, early At The Drive-In, and ASG somewhere in the mix as well as a whole lotta heft, heaviness, and heart.
We’re on the road to the release of the Loud, Bright and Violent EP and Boston’s Sunshine Riot is unveiling yet another slab of Steve Albini-recorded modern Alt for the masses with the release of the slick, suave, and steady sounding “So It Comes”.
