We’ve gotten to the point with our Salem Horror Fest coverage where we find ourselves questioning what should go into a great film review? Do you want the entire plot spoiled for you so as to highlight how clever certain moments are or do you keep it vague and general? Especially with Stag from director and writer Alexandra Spieth and its’ slow build to big reveals. We’ll keep it contained for now because who doesn’t like a surprise or two or three?
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