Mr. Kitty Enters A New World Of Diversity And Awesomeness On A.I.

Any year that yields new material from electro-genius Mr. Kitty is a good year for music fans in general. Whether it’s an LP or a new EP/single, new Mr. Kitty generally brings warmth and fuzziness to earholes. That said,  it looks like 2017 will be doing just that as we focus on the former in the form of A.I. [Read more…]

Mr. Kitty Unveils Fragments, August Release Slated With IAMX Tour To Follow In October

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You know how some artists just make you cry because their output is so great? That’s Mr. Kitty in a nutshell. And if you don’t know the feeling then “Hell” off of Mr. Kitty’s latest will give you an idea of what I’m talking about. Think hairs on the back of your neck forever standing up/perpetual goosebumps territory. [Read more…]

Rock And Roll Fables Best/Worst Of 2014: Editor’s Picks

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Ah, fuck it! I was all poised to do another “Top 14 of 14” music list and then Bostonregina inspired me yet again to do a post like hers from last year (And hopefully this year, bb????) Anywho, without further adieu, here’s the RNRF Editor’s pick for 2014:

Best Album: The Faint-Doom Abuse

2014 was the year that electronics totally owned me or I totally gave myself up to electronic music. I’m still not sure yet. Either way, whether it was new discoveries like Mr. Kitty or Trust or Skinny Puppy ruling the live scene, electronic music simply owned my life this year. One of my favorite electronic bands also happened to drop a bombshell of an album this year seemingly out of nowhere. The Faint quietly reconvened in 2012 for the Danse Macabre tour and an EP of all new music and then…nothing. That nothing turned out to be this year’s Doom Abuse which was released in April. Taking the best parts of all of their previous albums and infusing their sound with an urgency not heard in some time, The Faint is more alive now then ever before. For our review, head on over here. [Read more…]

What’s In A Name? Mr. Kitty releases the latest “Self-Destructive Synthpop” masterpiece.

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Don’t let the name throw you, Mr. Kitty is not the cute and cuddly Pop you might’ve expected when you tuned in. Far from it, Mr. Kitty is, quite simply, the saviors of dance-pop synthetic goth what have you. It’s great dance music. It’s great music if you’re a vampire or great if you’re a fan of mood films like To Live And Die In L.A. or Manhunter. Modern noir, if you will.

In regards to Time, Mr. Kitty’s fourth (!) album, let’s put it this way: Have you ever wanted an album that perfectly encapsulates a night in the club, filled with those mindless throbbing beats and mid-tempo numbers that sporadically break up the dance floor sweatiness? That’s Time.

“XIII” storms the gates of Time with subtle, droning beats building into an indescribable crescendo of screams and electronics that will move you to no end. “Rats” breaks up the intensity with some nice Pop-infused mid-tempo awesome and “Glow” continues that trend with some beats destined for the Fright Night soundtrack. Circa 1985, obviously.

Like I said, if you’re itching to dance then a Mr. Kitty track to suit your needs is never too far away as “Hollow” follows to beef up the foot stomping quotient. “Devour” delivers even more so as does “Laceration” which brings back “XIII”‘s urgency. “Pathogen” keeps the pace alive  while “Shadow Dancer” is that song you heard in every moody ’80’s flick, being equal parts New Order and Depeche Mode.

Not only one of the greatest synth albums of 2014 but one of the best albums, period. Like me, you’ll be wondering how Mr. Kitty passed you by for so long (Seriously, this is the FOURTH album!!!!!). Now I just need to insure I get all of Time played at my next local goth night.

Time, the latest and greatest, from Mr. Kitty is out now. Head over to bandcamp to stream and buy.